This is the first of the 2 track that appear on the duo’s 2003 album ‘The Days After’, and sounds like the perfect soundtrack to discovering a network of fascinating, yet disconcerting caves on a grey, rainy day. Both tracks on this album are wonderful and fully immersive.
London Techno from 1995 with a some Motor City flavour added to it. This appeared on a compilation that year titled ‘Underground London’, where we believe is the only place one could hear this trackThe compilation was made up of 2 discs; the first was each track on the comp standing on its own merits, the second was all of the tracks in a mix by Stockwell’s very own Dave Angel.
Astounding Sound piece/Ambient/call it what you want from the bands 1991 album ‘Cathedral’. We’re really talking about the outer regions here folks, so strap in, and expand outwards.
The opening track from Nocturnal Emissions 1991 album ‘Cathedral’ has the listener subjected to repeated psychedelic shockwaves. Substances were certainly ingested in the construction of this music.
Like morse code transmitted from another dimension, Nocturnal Emissions created otherworldly fugues for otherworldly folk. This is the opening track from their 1989 album ‘Invocation Of the Beast Gods’.
The Steven Stapleton-led collective has had many, many high points over their, thus far, 4-decade spanning career. Among those high watermark albums is 1986’s ‘Spiral Insana’; a mind-boggling patchwork of sonic debris akin to wandering into a labyrinthine fun-house that deposits you into the most unexpected places. Some sections repeat, some do not, but one gets the sense of wandering further and further into the maze as the albm goes on. We wander into soundscapes of maniacal circles of drilling noise; sparse, rag time-esque piano overlaid with Duck cries or moaning voices; cult rituals deep in the woods; devolved Hillbilly families having a porch hoedown; ethereal, ambient/New Age drifting; abrupt Church organ bursts; and much, much more.Dive in, it’s great fun in here.
Field recordings meet the Dice’s noise boxes from this 2004 EP on Fat Cat records. This was back in the day when one didn’t quite know what to expect from Black Dice; apart from the fact that the music would be heavy duty lysergic sonics. Distorted marching bands and crickets abound on this 13 minute piece. See also the other track from the EP titled ‘Trip Dude Delay’, found elsewhere on The Sentinel.
The Sentinel is a micro-blog from music obsessives.
Genres covered may include: krautrock, new wave, techno, avant rock, acid house, doom metal, disco, noise, free jazz, bass music, drone, post punk, 60s garage, ambient, no wave, prog, dub, deep house, psyche, electro, roots reggae, and various indefinable subgenres.