Splashes of Acid and sprinkles of Electro on this underground House/Techno tune from 2018 by the Canadian duo. Magda is fond of slipping this into her sets too.
If there is any confusion about the term ‘Acid House’, one can always come back to the Chicago masters such as Armando to get clarification. There was a magical era in the Uk during the late 80’s, but that didn’t mean that every dance tune people were jackin’ to was Acid House. The sound is pure, and minimal in its aesthetic; and can be perfectly demonstrated with this track from 1987.
This is the kind of Acid-tinged merriment some went in for in the early 90’s; stuff that got the IDM label dumped on it (even “Ambient Techno” made more sense). This lovely slice of electronic music is from 2016’s ‘2 Late 4 Love’. There’s ongoing controversy about this due to the use of the title of ‘Emotinium’, which was previously used by Ceephax Acid Crew for one of his tracks. From what can be gathered, that is the only similarity. This tracks isn’t a ‘remix’ of the Ceephax one, despite people stating this. This upload was taken from a YouTube channel where someone changed the title so it looked like a RotR remix of the Ceephax tune…..which it isn’t. Anyway, listen to both to make your mind up ,and see which one you prefer, despite them having nothing to do with each other.
This is the kind of Acid-tinged merriment some went in for in the early 90’s; stuff that got the IDM label dumped on it (even “Ambient Techno” made more sense). This lovely slice of electronic music is from 2016’s ‘2 Late 4 Love’.
Classic 1988 Acid house from Mike Dunn’s ‘Face The Nation’ EP. This one has a light, swift groove to it whilst Tyree adds vocal duties to the percolating Acid lines.
The Sentinel is a micro-blog from music obsessives.
Genres covered may include: krautrock, new wave, techno, avant rock, acid house, doom metal, disco, noise, free jazz, bass music, drone, post punk, 60s garage, hip-hop, no wave, prog, dub, deep house, psyche, electro, roots reggae, and various indefinable subgenres.